Name: یونومی کار شده با دست، ساخته شده با چرخ سفالگری سنتی - فلوریان گدسبی
Uploaded: 2024-08-10T10:27:25.927106Z
Duration: 1 min 1 s
Description: در این ویدیو، شاهد فرایند جالب و دقیق ساخت یونومی با دست و چرخ سفالگری سنتی توسط هنرمند ماهر فلوریان گدسبی خواهید بود. با تماشای این فیلم، با تکنیک&zwnj;های برتر ساخت هنر ترکیبی چینی با دوام و زیبا آشنا خواهید شد.

<p>در این ویدیو، شاهد فرایند جالب و دقیق ساخت یونومی با دست و چرخ سفالگری سنتی توسط هنرمند ماهر فلوریان گدسبی خواهید بود. با تماشای این فیلم، با تکنیک&zwnj;های برتر ساخت هنر ترکیبی چینی با دوام و زیبا آشنا خواهید شد.</p>

I filmed almost thirty minutes of footage of myself throwing these cups, which I made hundreds of for Ken Matsuzaki when in Japan this winter, so I thought I’d edit the unused footage into another short video. I’ve left in the audio, which includes a few of the bird squawks that remind me so much of my time there.

I’d never properly thrown off the hump before coming to Mashiko. After a few weeks of mostly sweeping leaves and drying out and then smashing clay me and Doi had dug up locally the task of learning how to throw these cups began. I went from never using the kick-wheel to being sat at it for twelve hours a day for almost two weeks. For the first week none were kept, Ken would come over and look at them before criticising, very kindly, what needed to be changed. Getting the interior curve just right was the hardest part by far, that and dealing with shinsplints in my right leg.

Once they were correct my days were spent throwing as many as I could, it was slow going at the beginning but towards the end I could quite easily do well over one-hundred and fifty a day. I used mostly one coarse grey stoneware clay, for yunomi meant for an oribe firing. Thereafter it was a mix, Doi would bring me bag after bag of clays of varying consistency and colour and I’d simply finish the bag of clay before moving onto the next.

It’s a very different process of throwing on a regular electric wheel. Getting used to the constant kicking motion is definitely tricky, every kick jars the clay and pot being thrown so you must learn to throw in such a way to counter that. Having soft clay is important as the amount of pressure exerted on the wheel and lump of clay has a big impact on how hard you have to work. As the fly-wheel, the part I kick, isn’t particularly heavy or wide in diameter, the momentum really plummets as soon as any centring happens, especially the lower down the hump you get. The whole process made me learn to throw in a different way, the positions of my hands changed for certain processes, such as pulling up the walls of clay but I did learn to thoroughly enjoy it.

—
http://www.instagram.com/floriangadsby
http://www.floriangadsby.com

در این ویدیو، شاهد فرایند جالب و دقیق ساخت یونومی با دست و چرخ سفالگری سنتی توسط هنرمند ماهر فلوریان گدسبی خواهید بود. با تماشای این فیلم، با تکنیک‌های برتر ساخت هنر ترکیبی چینی با دوام و زیبا آشنا خواهید شد.